IMMACULATE QUEEN OF VICTORIES

Day 336: April 13

Immaculate Queen of Victories, Liveri di Nola, Naples, Italy



The sanctuary of Our Lady at Parete is dedicated to the Immaculate Queen of Victories and owes its origins to the apparitions of the Mother of God to a young shepherdess from Liveri named Autilia Scala. These apparitions, handed down by a venerable and indisputable tradition, are proven by the following inscription that was once read here: D.O.M. DEIPARAE VIRGINI CUIUS OLIM IMAGO SUB TERRA SEPTA VEPRIBUS AUTILIA SCALA DIVINO MONTI INDICANTE, MIRACULIS LATE CLARUIT ET A PARETE, IN QUO PICTA EST NOMEN HABUIT ANNO AB EILSDEM VIRGINIS PARTU MDXIV PIDIE IDUS APRILIS. 

It means, "To the Virgin Mother of God, whose image, once covered with thorns, was unearthed following a divine revelation made to Autilia Scala, shone widely with miracles and took the name of the wall on which it is painted, on April 12 in the year of the Christian Era 1514."

According to what is handed down, Autilia Scala, daughter of peasants, was taking her cows to pasture when at some point she saw Our Lady. She would have said: "Autilia, I have chosen you for one of the highest deeds that you will perform in my name, brought by Count Enrico Orsini, in Nola, and tell him, that under that bush to the right of my hand, an image of me has been buried there, for many centuries; I want the earth to be dug up and a Temple built in my honor."

Going to the Count, Autilia was not believed. The next day (April 13) there was a second apparition in the same place, and this time the young woman's face was marked by a ray of light.

Returning to the Count, this time she was taken seriously, and with the collaboration of the bishop Monsignor Bruno, excavations were undertaken in the place indicated by the Madonna. Here a painting was found depicting the Virgin between two angels, who was identified as the Immaculate Queen of Victories.

At the foot of the icon was found the famous "CAMPANELLA DELLA MADONNA" (Bell of Our Lady), weighing about forty kilos, to the sound of which the faith of the devout people associates a continuous flow of graces for the serious and urgent cases of life. The almost daily requests for the ringing of the bell are joined by the solidarity and fervent prayer of those who listen to it.

On the bell the inscription: "SS. NICOLAS, CONFESSOR CHRISTI, MARIA VIRGO ORA PRONOBIS, KAROLUS DEI GRATIA REX SICILIAE". According to some sources, the Charles mentioned in the inscription would be Charles II of Anjou, who, following some victories in battle, would have built a chapel dedicated to St Nicholas of Bari and Our Lady in that place. The painting and bell would therefore belong to this ancient building of the thirteenth century.

The events of those days remained an important event in the history of Liveri, which since then begins a path from a Marian city that extends to the present day. The Virgin soon made her devotees feel her maternal protection with an abundant shower of graces for which devotion to the Queen of Victories of Liveri spread rapidly. About three months after the apparitions, Autilia died. The square adjacent to the Sanctuary in her native Liveri is now dedicated to the shepherdess.

The sacred image consists of a fresco of the Italo-Byzantine school, datable to the ninth century and depicts the Mother of the Lord with her hands joined in an attitude of prayer, dressed in a royal manner, with her head covered and crowned. On either side two Angels, in expression of service and profound veneration, offer the Queen of Victories the world, the palm and the scepter, evident signs of the effectiveness and universality of her maternal mediation.

The image of the Queen of Victories was set in a magnificent shrine covered inside and outside with paintings of inestimable value. The pilgrim who enters it immediately feels, in an atmosphere of spirituality and mysticism, the gentle presence of the heavenly mother and, with trust and filial abandonment, is led to entrust his problems and anxieties to her Immaculate Heart in the intimate certainty of being welcomed and heard.

Aesthetes and art connoisseurs also come to the sanctuary, attracted by the frescoes of seventeenth-century Neapolitan artists. The shrine in turn is surmounted by the harmonious vaults of the Renaissance Basilica.


St Justin Russolillo Writes...

"O most holy Mary, you have no need of my angel to reveal to you how the Lord has been merciful to me. You know the loving designs that the Lord has planned for my soul, since all the graces, right from their first inspiration, pass through your hands. I thank you and bless you always for your part in my sanctification."

(Justin Russolillo, Devotional, Vocationist Editions, Pianura, 2009, p. 162)

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